The Wooden King
Czechoslovakia, 1939. Snow is falling over the city when the Nazis invade. Before the ice on the roads has a chance to melt, everything has changed for the country—and for Viktor Trn.
It isn’t obvious at first. The day-to-day realities of occupation take time to sink in. After losing his job as a history professor, Trn remains optimistic, preserving what little he can of his family’s dwindling freedom. In his family’s small apartment, the radio brings worsening news as Europe surrenders to Germany. Friends are arrested, men are hanged in the local school. Trn must protect his young son, but he understands leaving their homeland could prove too dangerous.
In the spirit of Kristin Hannah’s The Nightingale and Anthony Doerr’s All the Light We Cannot See, The Wooden King explores denial, desire, and family drama against the lyrically rendered backdrop of World War II, deftly navigating “the simple difference between what we do and what we ought to do” in the face of rising totalitarianism.
